Tuesday, April 22, 2014

In Sight, Out of Mind


Abe Lincoln would have a lot to say if he visited a college-town coffee shop for the evening.

“I have plenty for you to do,” Lincoln would say to the lanky, my-hair’s-so-long-you-can’t-see-my-eyes young man standing with his two buddies at the cash register.

He wears blue, the other two of the Three Stooges gray (ironically, the colors of the Civil War). Their acquaintance, a girl with a ponytail and white-striped black athletic pants, wonders what they’re doing tonight. The blonde-haired wonder says he doesn’t have anything to do. 

Others are writing papers. Later, ponytail girl is supposedly doing homework, but her iPhone’s pretty distracting, too. Eventually, she leaves, her thick nursing NCLEX book at ease on the table with her iPhone. 

Nothing or papers, Lincoln could use these coffee shoppers to help put the country back together.

“That’s probably pretty expensive for the factories to produce. Why do you leave it where people can steal it?” Lincoln would say that, too, to everyone. Especially the guy with the pink tee and earrings and his track jacket-adorned female friend at the table near the front window. She wants her friends in the southwest corner of the room – the Three Stooges – to watch their stuff for a bit.

By stuff, she means an open bag of kettle-cooked potato chips, an empty plastic cup, her Vera Bradley backpack and wristlet (different patterns, mind you), her similarly flowered binder, a pen or marker, his receipt for their food, her Apple laptop, laptop charger, a colored leather Bible, and her iPhone, sitting on the window ledge, plugged into the wall. 

The Stooges agree to watch this smorgasbord of twenty-something Christian college-hood. But they don’t have to watch it all. She takes the iPhone because her friend’s was stolen from the Hive last week. The Bible stays on the table: apparently, it’s not at risk. Hopefully Lincoln didn’t see that. 

Lincoln would also say: “Ah-ha. You all know each other. That’s just like the North and the South, where brother fights against brother.”

And they do all know each other. A preppy couple studies intensely in their corner. The female-half leaves and the guy – button-up, khaki shorts, boat shoes and all – converses with a girl in the northwest corner. She wears a light-blue Cedarville basketball shirt and flies solo tonight.

What did he tell her? He left a message, which she tells his female-half when she returns: he had run to campus to grab his notebook. 

So that’s what Lincoln would say if he visited a college-town coffee shop for an evening. And, in this case, he’s actually been there all along. He appears at least twice on the north wall, once on the south. And even his general, Grant, rests on a shelf in the southwest corner.

Most importantly Lincoln’s 3-D head sits on the window ledge, the one where the iPhone sat until its owner grabbed it when she left. Lincoln can save a country, but don’t trust him with an iPhone.

Note: I wrote this for an assignment for Feature-Writing class at Cedarville University. We were told to observe a scene somewhere and write a 500-700 word story about it. I chose to observe an hour or so at Stoney Creek Roasters in Cedarville, Ohio. 

Thursday, March 13, 2014

Movie Review: 'The Monuments Men' offers treasure-chasing fun, adds seriousness of war

“The Monuments Men,” with its treasure-tracking adventures and espionage thrill, will aptly harken viewers back to “National Treasure.” But the movie is also a surprisingly deep portrayal of war’s consequences.

Starring, directed, co-produced and co-written by George Clooney, the movie follows a posse of art specialists turned soldiers as they try to save the Western world’s most prized paintings, sculptures and monuments from Nazi confiscation and destruction. Released Feb. 7, the movie is based on the true story told in Robert M. Edsel’s book of the same name.

In a low-lit conference room, Frank Stokes (Clooney), a member of the Navy and a Harvard art expert, persuades the U.S. president that a special mission is needed to save the treasures of Picasso, Michelangelo and the like from the Nazis. Clooney then sets out to muster the right combination of curators, architects and others for this task, all to the tune of a comfortably familiar battle-ready march, courtesy of composer Alexandre Desplat.

Comedic relief instills “The Monuments Men” with a bit of fun. Preston Savitz (Bob Balaban), a prominent benefactor of ballet, is the wisecracking older recruit with a big heart and an even bigger outfit. He’s topped with a helmet that droops over his small head. Richard Campbell (Bill Murray) is his heftier counterpart.

One especially humorous scene with Savitz is when he happens upon a young, timid soldier. The soldier was armed with a gun but didn’t seem to want to cause any trouble. Another monuments man joins the two, and they unofficially call a truce over a few cigarettes. Through France, Belgium and Germany, the lightheartedness stays with the monuments men until the end.

From comedy, the movie seamlessly transitions to moments of espionage (as a monument man sneaks through a darkened French city to rescue a piece of art from under the Nazis’ fingertips) to being what it really is ¬– a war movie. Despite the adventure, the movie doesn’t let the viewer forget either the seriousness of the war these unusual soldiers are fighting or the seriousness of their mission.

It’s a mission set on stopping Hitler from completing his own mission to control everything himself or destroy it as his Nero Decree commands. As Stokes says, “He wanted everything,” and the monuments men are to keep this from happening. Stokes calls his men soldiers: they both experience and succumb to all the pain and loss familiar to the everyday GI.

And though Allied commanders throughout Europe don’t always believe in the team’s mission, the men themselves do. As one lies in a French church dying from a gunshot, he professes that art belongs to all, not only one.

The war’s consequences are also seen through the eyes of Europeans cast into the war for no reason besides where they happen to call home. Claire Simone (Cate Blanchett) is a Parisian curator forced to aid the Nazi occupiers. In another scene, two of the monuments men engage in a brief shootout with whom they discover is a no-more-than-8-year-old, wide-eyed French boy.

The movie doesn’t forget the Holocaust, either. Jewish art collections are targeted and confiscated, and the men discover a barrel of gold – golden teeth in particular. Viewers aren’t left to wonder where such copious amounts came from.

Despite the adventure and seriousness of “The Monuments Men,” the endless art-chasing can be monotonous. The time between major plot points is not necessarily short, either. This is especially noticeable in scenes with James Granger (Matt Damon) as he spends most of the 118 minutes trying to convince Simone to help his team.

Even so, the charm of the seven culture-saving heroes and the importance of their mission will keep most viewers watching until the last painting is saved.

Saturday, February 8, 2014

Cedars - January issue + Winning awards at ONA

The January issue of Cedars came out last week. The cover story is a project an Investigative Reporting class did on how much accreditation in higher education (specifically at Cedarville) costs.

And on Thursday, Cedars won several awards in the Ohio Newspaper Association's annual Collegiate Newspaper and Best Website Competition—including the Frank E. Deaner Award for General Excellence in Collegiate Journalism, naming Cedars the top non-daily student paper in the state. The competition recognized our work in the 2012-2013 school year.

This is the second year Cedars has won the general excellence award.


Friday, January 31, 2014

Cedars/ONA - Some more work from this summer

On Feb. 6, four Cedars' staff members and our adviser will attend the Ohio Newspaper Association's annual convention.

I had the great opportunity to intern at the ONA this past summer as a publications/public relations intern. I've posted some of my work from the experience on here before. But here's a few more notable stories/projects I did in my two months working in Columbus. 

Cedars - November and December issues

November
For our November 2013 print issue, our cover story (written and reported by assistant managing editor Lauren Eissler) was a conference Cedarville hosted on America's casual sex culture.

In addition to my managing editor duties, I wrote two pieces for that issue. Read them online at the links below.
December
December saw us covering Cedarville's new swim club. The issue was also special for a few reasons.

Friday, October 25, 2013

Cedars - 'Alice' Senior Theatre Project This Weekend Condenses Novels, Adds Dancing

Here's a short preview of a senior theatre project a Cedarville student's putting on tomorrow night.

Cedars - October issue

For our October print issue, our off-campus news editor wrote a story on what's going on in Syria. She interviewed former ambassadors and a variety of other expert sources. I was proud of her and the graphic designer for their work in covering an important issue.

View a PDF of the issue.